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Pose Work for Sisters, 2016 Digital film, no sound. 10.01 minutes, looped. c. Jacqueline Donachie

Jacqueline Donachie
PhD Alumni, Northumbria University

Jacqueline Donachie’s work is rooted in an exploration of individual, family and collective identity and the structures, platforms and spaces (both actual and conceptual) through which itis constructed and supported. It encompasses sculpture, installations, photographs, films, drawings and performance and is research-based, collaborative and participatory. With particular attention to how we navigate space – from small scale objects to large public works – she examines what connects people, and what separates; the impact of difference, the connection of inheritance. Her work is held in many significant national and international public collections, including Tate and the Arts Council Collection. Recent solo exhibitions include ‘Deep in The Heart of Your Brain’ at the Gallery of Modern Art in Glasgow (2016), an exhibition that drew wide praise for the manner in which it addressed disability, inheritance and ageing, and Right Here Among Them (2017), a mid-career survey show at the Fruitmarket Gallery in Edinburgh that was the recipient of the inaugural Freelands Award. Her film Hazel , made with sisters affected by the genetic condition Myotonic Dystrophy, was winner of the AHRC Art in Film Awards in 2015.

Thesis Title:
Illuminating Loss; a study of the capacity for art practice to shape research and care in the field of inherited genetic illness.

Contemporary art is seen as an effective way of communicating complicated science to a range of lay audiences, particularly in the context of medical research. This is the premise of ‘sciart’. However this rationale can limit the cultural significance of artworks by overstating their illustrative capacity, an outcome that severely reduces the creative endeavour of the artist. Based on the first-hand experience of an artist whose career has engaged with the opportunities afforded by ‘sciart’, this study seeks to address the illustration problem by exploring new methods of working across art and science that challenge representations of the inherited neuromuscular disorder myotonic dystrophy, a condition which affects one in 8000 adults in the UK. Hazel, a film made by the artist with the participation of eleven women affected by the condition, is placed at the centre of this as a case study. Pioneering work with the UK Myotonic Dystrophy Patient Registry facilitated recruitment, and it is this process that forms the unique contribution to knowledge of the research.

By illuminating the multiple loss experienced by families struggling with physical and social decline, this research offers a practical and theoretical image of the capacity contemporary artists have to shape research into myotonic dystrophy. The study will argue that this capacity is more ambitious than illustration, more extensive than the communication of family insights. Thus it can embrace a much-needed form of research leadership that is built upon an artist’s scope to say powerful things by withholding information. In addition, the employment of feminist literature on ageing and appearance, and sociological research into the decline and isolation of affected families, helps define the particular form of leadership that can arise through extreme personal circumstances.

As pressures on services increase, cross-sector influence becomes increasingly important and this thesis and body of practical work explores the future impact of contemporary artists taking a lead in shaping research agendas in the genetic sciences.

Principal Supervisor: Professor Chris Dorsett

Second Supervisor: Professor Clarke Lawlor Full Thesis
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